Richard St John Harris was born on October 1, 1930 in Limerick, Ireland, to a farming family, one of nine children born to Mildred Josephine (nee Harty) and Ivan John Harris. He attended Crescent College, a Jesuit school, and was an excellent rugby player, with a strong passion for literature. Unfortunately, a bout of tuberculosis as a teenager ended his aspirations to a rugby career, but he became fascinated with the theater and skipped a local dance one night to attend a performance of ``Henry IV``. He was hooked and went on to learn his craft at the London Academy of Music and Dramatic Art (LAMDA), then spent several years in stage productions. He debuted on screen in Shake Hands with the Devil (1959) and quickly scored regular work in films, including The Wreck of the Mary Deare (1959), The Night Fighters (1960) and a good role as a frustrated Australian bomber pilot in The Guns of Navarone (1961).

However, his breakthrough performance was as the quintessential ``angry young man`` in the sensational drama This Sporting Life (1963), which scored him an Oscar nomination. He then appeared in the WW II commando tale The Heroes of Telemark (1965) and in the Sam Peckinpah-directed western Major Dundee (1965). He next showed up in Hawaii (1966) and played King Arthur in Camelot (1967), a lackluster adaptation of the famous Broadway play. Better performances followed, among them a role as a reluctant police informer in The Molly Maguires (1970) alongside Sir Sean Connery. Harris took the lead role in the violent western A Man Called Horse (1970), which became something of a cult film and spawned two sequels. As the 1970s progressed, Harris continued to appear regularly on screen; however, the quality of the scripts varied from above average to woeful.

His credits during this period included directing himself as an aging soccer player in The Hero (1970); the western The Deadly Trackers (1973); the big-budget ``disaster`` film Juggernaut (1974); the strangely-titled crime film 99 and 44/100% Dead! (1974); with Connery again in Robin and Marian (1976); Gulliver's Travels (1977); a part in the Jaws (1975); Orca (1977) and a nice turn as an ill-fated mercenary with Richard Burton and Roger Moore in the popular action film The Wild Geese (1978).

The 1980s kicked off with Harris appearing in the silly Bo Derek vanity production Tarzan the Ape Man (1981) and the remainder of the decade had him appearing in some very forgettable productions. However, the luck of the Irish was once again to shine on Harris's career and he scored rave reviews (and another Oscar nomination) for The Field (1990). He then locked horns with Harrison Ford as an IRA sympathizer in Patriot Games (1992) and got one of his best roles as gunfighter English Bob in the Clint Eastwood western Unforgiven (1992). Harris was firmly back in vogue and rewarded his fans with more wonderful performances in Wrestling Ernest Hemingway (1993); Cry, the Beloved Country (1995); The Great Kandinsky (1995) and This Is the Sea (1997). Further fortune came his way with a strong performance in the blockbuster Gladiator (2000) and he became known to an entirely new generation of film fans as Albus Dumbledore in the mega-successful Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Chamber of Secrets (2002). His final screen role was as ``Lucius Sulla`` in Caesar (2002).

Harris died of Hodgkin's disease, also known as Hodgkin's lymphoma, in London on October 25, 2002, aged 72.

IMDb biography by: firehouse44@hotmail.com / Rms125a@hotmail.com

Our favorite quote from Richard Harris in Martin's Day: ``You're my prisoner, right? And you're supposed to do everything I tell you to do, right? Well eat the God damn candy or I'll break your head in!``

(Steckert, insisting his hostage enjoy a candy bar.)

Justin Henry had a dream start in the business, when he was chosen for a pivotal role in Kramer vs. Kramer (1979) at the age of seven, without any acting experience. He was nominated for an Academy Award as Best Supporting Actor for his role in Kramer vs. Kramer (1979), becoming one of the youngest actors ever nominated. During the eighties, he appeared in a handful of films, including Martin's Day (1985) and John Hughes's teen film Sixteen Candles (1984). But after co-starring in Sweet Hearts Dance (1988), he left films to pursue an education, before returning eight years later to star in John Frankenheimer's television film Andersonville (1996). He has once again been working in front of the camera in independently directed films including Finding Home (2003) and My Dinner with Jimi (2003), and is long away from his film debut as the kid with no acting training. He has made the transformation to a full adult actor and is waiting for what the future has in store for him.

Favorite quote: ``Hey you know, we're only ten miles from Lakefield. We should go visit your girlfriend...aww c'mon, I'm still hungry. And I bet you wanna get laid.``

(Martin encouraging Steckert to take a detour and make a stop at his ex-girlfriend's house in ``Lakefield.``

Lindsay Wagner makes little distinction between her life as an actress, advocate, mother or author. What unites these various parts is a commitment through her work and her personal life to exploring and advancing human potential.

Lindsay first came to prominence in the critically-acclaimed role of Susan Fields in The Paper Chase (1973), but received household recognition worldwide when she broke the mold for women on television with her iconic portrayal of Jaime Sommers. As she collaborated with the writers, The Bionic Woman (1976) became an inspiration around the world and, in 1977, Lindsay won the Emmy for ``Outstanding Lead Actress in a Drama Series``.

Her now-strong influence in the media and a desire to use that as a way to communicate ideas to help people in their personal journey is demonstrated in so many of the films in which she starred, such as: The Incredible Journey of Doctor Meg Laurel (1979), the struggle between naturopathic and allopathic healthcare (1979); I Want to Live (1983), the moral dilemma regarding capital punishment (1983); Child's Cry (1986), child sexual abuse (1986); The Taking of Flight 847: The Uli Derickson Story (1988), some root complexities of terrorism (1988); Evil in Clear River (1988), the quiet rise of the Neo-Nazi movement in America (1988); Shattered Dreams (1990), on family violence, which she also co-produced (1991); Deadly Nightshade (1995), highlighting the problem of teen prostitution (1995); Thicker Than Water (2005), expressing compassion for the animal kingdom and the importance of family (2005); Four Extraordinary Women (2006), the emotional effect of breast cancer on family members (2006). As a result of the volume of her successful productions, she was often referred to as the ``Queen of TV Movies``.

Lindsay has long been acknowledged as one of the top leading spokespersons in the United States, a role she took very seriously with regard to the impact it would have on the public, which in turn reinforced her position as a respected voice in the community. She was given a Genii Award as ``Performer of the Year`` in 1985. Lindsay has co-authored a bestselling vegetarian cookbook, ``The High Road to Health`` (1990) and ``Lindsay Wagner's New Beauty: The Acupressure Facelift`` (1986). She has recently released a meditation CD, ``Open to Oneness``.

Off-screen, Lindsay is passionate about the study and sharing of holistic healing modalities, integrating mind, body and spirit. For 25 years, she has been the Honorary Chair of ICAN (Inter-Agency Council on Child Abuse and Neglect). She has also been heavily involved in human rights, domestic violence, animal welfare and the environment. From 2003-2006, in collaboration with the Los Angeles County Sheriff's Department, Lindsay co-facilitated a counseling group for convicted batterers and their families. Her work utilized a range of psychological and spiritual techniques.

For the public, Lindsay facilitates experiential ``Quiet the Mind & Open the Heart`` workshops and retreats. These programs are designed to help overcome our own personal challenges, while accessing the peace and joy that is naturally within us. Lindsay offers these programs to the public as well as special interest groups as a way of sharing, that which has greatly impacted her life.

Biography by: lindsaywagnerinternational.com

Our favorite Lindsay Wagner quote from Martin's Day: ``Most kids with, 'don't fight me, do your homework, eat your dinner, keep off the grass.' Now for the first time, this kid has found somebody who doesn't give a shit about the rules...a friend who probably listens to him, who scares him...who likes him...and who definitely never says, 'What the hell do you know, you're just a kid.' They've both broken out of prison.``

(Dr. Mennen replying to Lieutenant Lardner regarding Steckert's escape.)

Lanky, charismatic and versatile actor with an amazing grin that put everyone at ease, James Coburn studied acting at UCLA, and then moved to New York to study under noted acting coach Stella Adler. After being noticed in several stage productions, Coburn appeared in a handful of minor westerns before being cast as the knife-throwing, quick-shooting Britt in the John Sturges mega-hit The Magnificent Seven (1960). Sturges remembered Coburn's talents when he cast his next major film project, The Great Escape (1963), where Coburn played the Australian POW Sedgwick. Regular work now came thick and fast for Coburn, including appearing in Major Dundee (1965), the first of several films he appeared in directed by Hollywood enfant terrible Sam Peckinpah.

Coburn was then cast, and gave an especially fine performance as Lt. Commander Paul Cummings in Arthur Hiller's The Americanization of Emily, where he demonstrated a flair for writer Paddy Chayefsky's subtle, ironic comedy that would define his performances for the rest of his career.

The next two years were a key period for Coburn, with his performances in the wonderful 007 spy spoof Our Man Flint (1966) and the eerie Dead Heat on a Merry-Go-Round (1966). Coburn followed up in 1967 with a Flint sequel, In Like Flint (1967), and the much underrated political satire The President's Analyst (1967). The remainder of the 1960s was rather uneventful for Coburn. However, he became associated with martial arts legend Bruce Lee and the two trained together, traveled extensively and even visited India scouting locations for a proposed film project, but Lee's untimely death (Coburn, along with Steve McQueen, was a pallbearer at Lee's funeral) put an end to that.

The 1970s saw Coburn appearing again in several strong roles, starting off in Peckinpah's Pat Garrett & Billy the Kid (1973), alongside Charles Bronson in the Depression-era Hard Times (1975) and as a disenchanted German soldier on the Russian front in Peckinpah's superb Cross of Iron (1977). Towards the end of the decade, however, Coburn was diagnosed with rheumatoid arthritis, which severely hampered his health and work output for many years. After conventional treatments failed, Coburn turned to a holistic therapist, and through a restructured diet program, made a definite improvement. By the 1990s he was once again appearing regularly in both film and TV productions.

No one was probably more surprised than Coburn himself when he was both nominated for, and then won, the Best Supporting Actor Award in 1997 for playing Nick Nolte's abusive and alcoholic father in Affliction (1997). At 70 years of age, Coburn's career received another shot in the arm, and he appeared in another 14 films, including Snow Dogs (2002) and The Man from Elysian Fields (2001), before his death from a heart attack in November of 2002. Coburn's passions in life included martial arts, card-playing and enjoying Cuban cigars (which may have contributed to his fatal heart attack).

IMDb biography by: firehouse44

Our favorite James Coburn quote from Martin's Day: ``Know the secret to a happy marriage? Eat out!``

(Lieutenant Lardner holding his sack lunch inside the police precinct building.)